Elizabeth Englander renders figurative sculptures in idiosyncratic material choices that stem from rigorous art historical research. She dives deep into studies of icons throughout history and expressively reconstructs their forms using ephemera from everyday life. Englander’s remodelings of icons—like a Diana archer composed of her late mother’s often reused ribbons, or a wire-mesh body of crucified Christ with skin stitched painstakingly from old bathing suits, or Hindu/Buddhist yoginis built out of dismembered wooden Nutcrackers and old furniture—attempt dialogues between disparate histories, mediated through sculptural poses related to suffering, growth, sexuality, enlightenment, and renewal.

Elizabeth Englander (b.1988, Boston, MA) lives and works in New York, NY. She received her BFA from The Rhode Island School of Design in 2011 and her MFA from Hunter College in 2019. Recent solo exhibitions include Englander’s first institutional exhibition at the Aldrich Contemporary Art Museum, Ridgefield, CT (2024):a. SQUIRE, London (2026; Theta, New York (2025; House of Gaga, Guadalajara (2023), Liste Art Fair Basel, solo presentation with Theta (2023); Theta, New York (2022); Smart Objects, Los Angeles (2021); From the Desk of Lucy Bull, Los Angeles (2019). Selected Group exhibitions have been held at: By Art Matters, Hangzhou, CN (2024); Company Gallery, New York (2024); Bel Ami, Los Angeles (2024); White Columns, New York (2023); Lomex, New York, (2022); What Pipeline, Detroit (2022); Theta, New York (2021); Smart Objects, Los Angeles (2021); Night Gallery, Los Angeles (2021); Safe Gallery, Brooklyn (2019); and Muzeum Ikon, Warsaw, PL (2018).